Wednesday, June 12, 2013

Wednesday Reads: Firelight

Every Wednesday (or most Wednesdays, or some Wednesdays) will bring you book reviews. Of a special variety. Yes, I am telling you which books are awesome and totally worth reading. But the point of my reviews is to hopefully make you conscious of the market and why this particular book was published: quality of writing, character and plot development, unique quirks of writing, characters, and plot that make it stand out. Take my tips to your own reading and writing, and through Constant Vigilance, will you succeed as a writer.

Firelight by Kristen Callihan, narrated by Moira Quirk

Firelight is the first in Kristen Callihan's Darkest London series. Here's what I love about this series, each book has its own unique flare (pun was not intended, I swear!). The first, Firelight, is Gothic in style, the second, Moonglow, tends towards more traditional Paranormal Romance, whereas the third, Winterblaze, dips into Steampunk. (I have not read the prequel, Ember.)

Synopsis: From the synopsis of any book you read, you can teach yourself how to write a query letter. This section will both tell you about the book, and what you should learn from the back cover blurb.
London, 1881
Once the flames are ignited . . .

Miranda Ellis is a woman tormented. Plagued since birth by a strange and powerful gift, she has spent her entire life struggling to control her exceptional abilities. Yet one innocent but irreversible mistake has left her family's fortune decimated and forced her to wed London's most nefarious nobleman.

They will burn for eternity . . . Lord Benjamin Archer is no ordinary man. Doomed to hide his disfigured face behind masks, Archer knows it's selfish to take Miranda as his bride. Yet he can't help being drawn to the flame-haired beauty whose touch sparks a passion he hasn't felt in a lifetime. When Archer is accused of a series of gruesome murders, he gives in to the beastly nature he has fought so hard to hide from the world. But the curse that haunts him cannot be denied. Now, to save his soul, Miranda will enter a world of dark magic and darker intrigue. For only she can see the man hiding behind the mask.
Great blurb for a ParaRom. But it's this line, "forced her to wed London's most nefarious nobleman" that has me reading on. Because I know we are going to find out about the nefarious Lord Archer, which is exactly what you want the reader to do. For your query, tend on the side of more information (Miranda's gift for example). 

Opening Pages: No agent, editor, or even reader will read past the first sentences or pages if it isn't grabs your attention and is well written.
From the prologue: "The knowledge that Archer would soon end the life of another cut at his soul with every step he took."

The first line establishes the who and what, while leaving just enough mystery to keep you reading. The entire prologue (the whole book really), keeps this up, giving you just enough information but keeping the mystery actively building.

Brownie Points: I touched on it already, but my favorite part was the dark Gothic feel of the entire novel. It is less the traditional ParaRom and more my college days of Gothic lit classes. Or Beauty and the Beast meets Phantom of the Opera. Your choice.

Brownie Point Two: I'm breaking my own format (because that never happens). I usually only focus on the first book in a series, but I love the opening of book two, Moonglow, in which we see Ian try bedding a whore... but he goes soft. Now that would get any reader's attention (agent or editor or otherwise).

Narrator's Performance: (As these novels were audio books for my commute, I have to comment on the presentation.) Soundly decent performance. Not the best female/male voices ever, but pacing was good and character voices unique. The thing that made it nearing a terrific performance though is the fact that the narrator was British, which lent an authentic air to the listen.

Who Should Read It: Anyone who reads or writes in any genre remotely relating to ParaRom (or Gothic or Steampunk, etc). It's a fresh take that readers will find welcoming especially if they have read too many ParaRoms in a row (*raises hand, not at all ashamed of it either*).

Happy Reading!

Monday, June 10, 2013

Grammar Manners: The Semicolon

Since we all love Mondays and we all love Grammar and the minutes of writing, Mondays are hereafter dedicated to things we'd rather leave in the dark. Might as well start the week with a kick in the pants. I'll bring to you common mistakes I think writers should just know. Tips will range from first-grade knowledge of the English language to Master's Degree expertise.

(I do find Melville references hilarious!)
I make it no secret that Herman Melville and I don't have a good relationship (sorry Ishmael!), and you know this won't be the first or last time I make an example of him. Among other things we learn not to do from past works of art (though I would like to see a modern reprisal of the whale semen scene...), the misuse of semicolons is one of them.

Every writer, editor, and reader has their favorite punctuation and mine has always been the semicolon. It's simple, straight-forward, and has rules you cannot break. Yet, time and time again, I correct flyers, Facebook posts, and, yes, manuscripts too. I think having to read Melville in school will do that to a brain, make you think you need to use way more than is good for you. But I'm here to tell you: when in doubt, leave them out.

Semicolons have two uses. Use them only under these two circumstances:
  1. Connect two independent clauses of related thoughts or,
  2. Separate items in a complicated list.
That's it.

Of course, the explanations:
  1.  The key here is "independent clauses". When using a semicolon, you must have a sentence that can stand on its own on each side of the punctuation. "I found him super attractive; the once-a-month wolf thing is a major turn on for me."
  2. A complicated list can contain multiple items that need a comma: "My vacation bag contained the following: sunscreen; a big, pointed stake; cloves of garlic; a blue, shimmery, wolf-repellent cape." Or, a complicated list can be one containing dates: "June 4th, 1492; April 2nd, 1998; December 6th, 1649."
If you need a more complete guide on semi-colon use, I love the instructions at The Oatmeal.

Of course, there are a few other reasons to use one...
Happy writing!

Wednesday, January 30, 2013

Wednesday Reads: Nobody But Us

Every Wednesday (or most Wednesdays, or some Wednesdays) will bring you book reviews. Of a special variety. Yes, I am telling you which books are awesome and totally worth reading. But the point of my reviews is to hopefully make you conscious of the market and why this particular book was published: quality of writing, character and plot development, unique quirks of writing, characters, and plot that make it stand out. Take my tips to your own reading and writing, and through Constant Vigilance, will you succeed as a writer.

Nobody But Us is Kristin Halbrook's debut YA novel (by the way, Kristin is a pretty darn cool lady).

Synopsis: From the synopsis of any book you read, you can teach yourself how to write a query letter. This section will both tell you about the book, and what you should learn from the back cover blurb.

Most back cover blurbs and queries tell you just enough about the main characters to get you to connect with them right off the bat, and enough of the plot to get you imagining those characters in the conflict. While this blurb doesn't give you much of either of those, it really doesn't matter. Why? The hook, that's why. Now, I'm not a huge fan of "hook them right away" (don't put us to sleep either, just don't rely on the hook to carry you), but to me it's the whole blurb that should hook you, not just the first sentence. Here? I don't care about anything else. It's the hook. Actually, it's the first three words: "Bonnie and Clyde"
Bonnie and Clyde meets IF I STAY in this addictively heart-wrenching story of two desperate teenagers on the run from their pasts.

"They’re young. They’re in love. They’re on the run.

Zoe wants to save Will as much as Will wants to save Zoe. When Will turns eighteen, they decide to run away together. But they never expected their escape to be so fraught with danger....

When the whole world is after you, sometimes it seems like you can’t run fast enough."
Brownie Points: Gah! The end! It's so beautifully awesome! Okay, besides that (because obviously I'm not going to spoil it). The dual narrative was executed to perfection. There is no way you can possibly mix up Zoe and Will's POVs. They speak differently, they think differently, they act differently, they are, in every possible way, different from each other. And you never forget that either. Every decision they make, they are figuring each other out. It's far from a perfect relationship, which is what you love about them, because they try to work through everything.

Which leads me to Brownie Point Number Two. Their relationship. It isn't perfect. Hell, at the end, they know something is very fundamentally wrong. They aren't blind to their problems, they make many mistakes, and keep blundering through like the teenagers they are. Beautifully. Awesome.

Beefs: Once again, I can't think of any. I don't want to. I loved reading this book. It sucked me in and didn't let go until the last page. Then I flipped back twenty pages and re-read the ending. I am not a re-reader, but this is on my "to read again" list. That's successful story telling, no matter which way you look at it.

Who should read it: Anyone who loves a good YA, contemporary, thriller without the serial killers, dysfunctional relationships, etc, etc, etc. I always recommend unpublished writers read debut novels, and really concentrate on why the book, by an untried writer, was published by a big publisher. And the why of Kristin's? It's thrilling, it's real, and it's marketable. What do you mean "marketable"? Those three words again: "Bonnie and Clyde". I'm not saying go out and rewrite classic movies or books, I'm saying find something the market is missing, something only you can deliver.

And if you're in the Seattle area, Kristin's book launch is at the University Bookstore in Mill Creek this weekend (more on her blog).

Happy reading!

Monday, January 21, 2013

Call For Questions

Beginning soon (how soon? Veeeery soon!) on the blog will be a new interview series.

How new? (veeeeery new!) And different too.

How different? (veeeery... okay, it will be recognizable as an interview, so not that different).

Have you ever been into an interview or remember those get-to-know-you days in Elementary school where you had to pull a random question out of a hat and answer it? "If you were a cereal, what would you be and why?" "If you could only wear one color for the rest of your life, what would it be and why?" "Superman swoops down into your path, what would you say to him?"

I'm talking RANDOM here, people.

 
Nope, more random than that.
 
Keep going...
 
Okay, I'm creeped out.

 I'll give you a hint, my new blog series involves agents.

Yes, agents.

The real kind.

And I want to know what you would ask an agent (no, I'm not giving you names, this is general, or heck, think specific and apply it to all agents). Anything from vanilla pudding random, to Alan Rickman giving me nightmares random.

I'll take all your questions and put them in a Santa hat... no a Joker hat... no a bowl. Yes, a bowl is safe. I will put your questions in a bowl and randomly choose one or two or three or four for the agent and we'll learn some very interesting things about the agent. 

I guess we need plenty of the vanilla pudding questions.

Your task now is: What would you ask an agent?

Happy randoming!

Friday, January 18, 2013

Fortune Cookie Friday: Yoda on Patience


Fortune Cookie Friday: Yoda on Patience

 Fridays always feel like Chinese food sort of days, and what's takeout without a fortune cookie? Thus, Fridays will bring you tips, tricks, advice, and some riddles that might apply to everything but will turn a light bulb on in your head (or maybe I just like talking like Yoda).


It's better to keep your mouth shut and give the impression that you're stupid than to open it and remove all doubt. - Rami Belson

Or, know what you are talking about before speaking or acting. It joins my refrain of "Google it! Google it! Google it!" The answers are out there, you have to know where to look. In this business, any questions pertaining to writing or querying or reading, can be answered online. Google it!

Happy writing!